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V&A Rotunda Chandelier : ウィキペディア英語版
V&A Rotunda Chandelier

The V&A Rotunda Chandelier (often known as V&A Chandelier and originally called ''Ice Blue and Spring Green Chandelier'') is a glass sculpture by Dale Chihuly. It hangs under the glass rotunda at the entrance to the Victoria and Albert Museum in South Kensington, London. Considered to be an artwork as much as a source of light, it was installed in 1999 and then substantially altered and enlarged to its current size in 2001, coinciding with a V&A exhibition of the artist's work.
== Description ==

The chandelier has dimensions of and is made of blown glass. The original name was ''Ice Blue and Spring Green Chandelier''. It was created with blue, green, and yellow glass composed of fused, relatively small swirling tendrils and sharp protruding edges that extend outward from every side. The top and the bottom are composed of a more rounded shape, while a smaller round arrangement of glass hangs in the middle. The top has a notable protrusion, mainly of light blue glass, which then develops into shades of yellow and green as the viewer's eye moves downwards.
The first chandelier was installed in 1999 and was more modest, however, Chihuly decided it needed to be bigger and enlarged it so that it now fills the central rotunda at the entrance to the museum. Commenting in ''The Daily Telegraph'', art critic Richard Dorment noted: "The V&A chandelier isn't exactly 'finished' – Chihuly just stopped adding baubles and curlicues and wiggly bits to it. Because its shape is so amorphous, there is no aesthetic reason that I can see why the glass-maker should not continue to ornament the work for the rest of his life, or for as long as the laws of physics allow him to".

While referred to as a chandelier, technically this is a hanging sculpture, a concept Chihuly has favored throughout his career. His technique is to let the glass naturally shape itself. This approach, in combination with his use of vibrant colors, has been described by curator Tina Oldknow as creating: "vessels that communicate a range of aesthetic experience from the ephemeral moods…to the highly emotional, transformational environments realized in large-scale installations".〔Tina Oldknow, "Dale Chihuly: A Selective Biography," Glass Art Society Journal (2003), 12-15.〕
Like most of Chihuly’s works, the chandelier does not light up on its own. In some instances, lights were placed on the piece after the fact or external spotlights were directed towards the structure to illuminate them.〔William Warmus, The Essential Dale Chihuly Book, (New York: Wonderland Press, 2000), 78.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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